Summary of Jan van Eyck
Part artist, part alchemist and some might claim part magician, the legacy of artist Jan van Eyck is shrouded in both mystery and legend. In his work, he achieved an astonishingly sophisticated level of realism, heretofore unknown in the art of painting. Glimmering jewels, reflective metals, lush satins and velvets, and even human flesh were each rendered with their own distinctive qualities with such a high degree of naturalism it seemed he had conjured a new artistic medium. A century after his death, this notion was put in writing as the 16th-century Florentine painter and art historian Giorgio Vasari credited the Netherlandish painter with the very invention of oil painting, a myth that continued well into the 19th century. But even as this legend was extinguished he reserves the title "Father of Oil Painting" and is credited with inventing the modern portrait, with his enigmatic Man in a Red Turban and confounding genre scene, The Arnolfini Portrait. Moreover, the search for his miraculous, and notoriously secretive, recipe for paint has continued through centuries, withstanding the scrutiny of connoisseurs, conservation, and the ever-changing d
Biography and information
Jan van Eyck, (born c – , Maaseik – died , Bruges) was a famous Flemish painter of the early Renaissance, one of its' first representatives in the Netherlands; the unsurpassed portraitist who created more than compositions on religious subjects. The exact date of the his birth is unknown.
Van Eyck's artistic style: formation of the fundamental principles of the Renaissance in the North of Europe. Fighting against the traditions of Medieval art, he preferred direct observation of reality, since he wanted to depict the world objectively. He far from scientific research of the perspective or the structure of the human body; neither did he know the heritage of antiquity: unlike the Italian artists, his style was guided mostly by his experience. He carefully studied the structure of the surrounding world, saw the subtleties of any object and was able to depict landscapes and interiors colourfully and in detail. Of particular importance to him was the image of a person, since he wanted to display accurately the appearance of the characters of his paintings.
In his portraits, the true accurate transmission of the characters' features d
Jan van Eyck
| Flemish painter Country: Belgium |
Content:
- Jan van Eyck: Master of Flemish Painting
- Court Painter to the Burgundian Duke
- Diplomatic Missions and Travel
- Settlement in Bruges
- Innovation in Oil Painting
- Artistic Legacy
Jan van Eyck: Master of Flemish Painting
Early Life and EducationJan van Eyck, born between and in Maaseik, Netherlands, was the son of a painter. He learned his craft from his older brother, Hubert van Eyck, with whom he collaborated until
Court Painter to the Burgundian Duke
In , Van Eyck's reputation as a skilled artist was established. He entered the service of Count John III of Bavaria and later became court painter to Philip III the Good, Duke of Burgundy, in Lille.
Diplomatic Missions and Travel
As a court painter, Van Eyck not only executed artistic commissions but also carried out diplomatic missions for the duke. From to , he traveled to Spain, Portugal, and Tournai.
Settlement in Bruges
In , Van Eyck settled in Bruges, where he purchased a substantial property and remained until his death in
Innovation in Oil Painting
Van Eyck is credited with revolutionizing oil painting. While it is debated whether he
Jan van Eyck
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Flemish painter, often lauded as the founding father of Dutch fine painting and the inventor of the oil paint technique. This last, however, is not strictly true. Van Eyck was one of the first to widely test the possibilities of oil painting, e.g. by not letting one layer dry before applying the next.
His exact dates of birth and death are not known. Probably born in Maaseik (hence his name) around , Van Eyck works for John duke of Bavaria and Philip the Good, for whom he arranges his marriage to Isabella of Portugal. In Van Eyck settles in Bruges, where he dies in
Van Eyck's most famous work is the retable for the St Bavo's Cathedral in Ghent - a work in 20 panels with The Adoration of the Lamb of God as its central piece. The work is widely considered as one the highlights of the Northern Renaissance. It is not universally accepted that Jan painted it all himself; it is possible that he finished the work of his brother Hubert (or Hubrecht; ). Another painting displayed on this site, The Three Marys at the Tomb, was probably created in collaboration with Hubert.
Some 30 works by Jan van Eyck survive, mostly religious works and portraits. The Man with t
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