Thomas michael alleman biography sample

MK: Your series, The Unwinding, seems to be a genuine and heartfelt start to a photojournalistic career. Was this more an exercise towards your future career, or a way of comprehending and dealing with the emotional struggles of your own family? Perhaps both?

TA: When I graduated from Michigan State in , I had no useful skills or immediate prospects. I had a point of view, I suppose, and an attitude about certain materialI’d been in a Creative Writing programbut I didn’t have the discipline, in those days, to do more than dabble at the standard wannabe stuff: acting and folk music and short story writing. I was a bit of a dilettante, a know-it-all who bussed tables in a Mexican restaurant and wrote desultory feature stories for the local weekly.

By very slow measures, I started making photographs to accompany those articles. After a while, I took up a search for examples of such pictures at their best. The Village Voice became a modelalong with other lefty tabloids like Portland’s Willamette Week and the Chicago Readerbut I found my best inspirations at the library of the local community college, among a photo collection of about a dozen books. Besides the requisite

Every day, I pass an American Apparel billboard, placed in an unremarkable location between a gas station and a non-descript house. I have always considered it an odd placement for advertising, but I&#;m no expert. Los Angeles photographer Thomas Alleman also has a curiosity about the ubiquitous presence and placement of American Apparel billboards explored in his series, The American Apparel.

Thomas was born and raised in Detroit, where his father was a traveling salesman and his mother was a ceramic artist. He graduated from Michigan State University with a degree in English Literature. During a fifteen-year newspaper career, Tom was a frequent winner of distinctions from the National Press Photographer’s Association, as well as being named California Newspaper Photographer of the Year in and Los Angeles Newspaper Photographer of the Year in

As a magazine freelancer, Tom’s pictures have been published regularly in Time, People, Business Week, Barrons, Smithsonian and National Geographic Traveler, and have also appeared in US News & World Report, Brandweek, Sunset, Harper’s and Travel Holiday. Tom has shot covers for Chief Executive, People, Priority, Acoustic Guitar,

Thomas Michael Alleman


Thomas Michael Alleman was born and raised in Detroit, where his father was a traveling salesman and his mother was a ceramic artist. He graduated from Michigan State University with a degree in English Literature. During a fifteen-year newspaper career, Tom was a frequent winner of distinctions from the National Press Photographer’s Association, as well as being named California Newspaper Photographer of the Year in and Los Angeles Newspaper Photographer of the Year in

As a magazine freelancer, Tom’s pictures have been published regularly in Time, People, Business Week, Barrons, Smithsonian and National Geographic Traveler, and have also appeared in US News & World Report, Brandweek, Sunset, Harper’s and Travel Holiday. Tom has shot covers for Chief Executive, People, Priority, Biz Tech, Acoustic Guitar, Private Clubs, Time, Investment Advisor, Diverse and Library Journal. Tom teaches “The Photographer’s Eye” at the Julia Dean Photo Workshops, and “Vision and Style” at the New York Film Academy, both in Hollywood.

Tom exhibited “Social Studies”, a series of street photographs, widely in Southern California. He’s currently finishing Sunshi

Thomas Michael Alleman: Dancing in the Dragon’s Jaws

Thomas Michael Alleman: Dancing in the Dragon’s Jaws

Sometimes the work we create, though powerful at the time, continues to be relevant, historical, and just plain interesting over the course of time. Thirty years ago, Los Angeles photographer, Thomas Michael Alleman, was a freelance newspaper reporter in

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Thirty years ago, Los Angeles photographer, Thomas Michael Alleman, was a freelance newspaper reporter in San Francisco, where one of the publications he worked for focused on gay press.  He found himself in the middle of the AIDS crisis and San Francisco in it&#;s Castro District heyday, and captured a community in crisis, but also a community that was very much alive


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