Marea Gazzard Edit Profile
sculptor
Marea Gazzard Association for the Study of Internal Fixation, Commander of the Order of the British Empire was an Australian sculptor and ceramicist.
Education
Born in Sydney, Australia, Gazzard studied ceramics at the East Sydney Technical College, now the National Art School, from to After travelling to Europe, Gazzard enrolled at the Central Saint Martins College of Art and Design, London where she studied from to Returning to Sydney, Gazzard studied sculpture at the National Art School, with Lyndon Dadswell.
Career
During this period she became close to ceramicists Lucie Rie and Hans Coper. In , she opened a studio in Paddington, New South Wales, and in staged her first solo exhibition. Gazzard had a significant exhibiting career, with some notable highlights.
In , Gazzard was invited to exhibit at the National Gallery of Victoria in the landmark exhibition &#;Clay and Fibre&#; with Mona Hessing.
In , a survey of Gazzard&#;s work was staged at the South. H. Ervin Gallery, Sydney, accompanied by the launch of a monograph by Christine France. Major public commissions include &#;Mingarri: The L
&#;Marea Gazzard had presence. She was much admired for her great dignity and humanity which could bring out the best in other people, yet she never flagged in the pursuit of excellence which she brought to her own exceptional body of work. The timeless, elemental quality of this work marks her as one of Australia&#;s most important sculptors.&#; &#; Christine France, November 30,
Marea Gazzard studied at the London Central School of Arts and Crafts in the s, where she formed a deep friendship with Lucie Rie and Hans Coper, cementing her interest in European modernism. Returning to Australia, she studied sculpture under Lyndon Dadswell at East Sydney Technical College.
In Gazzard held her first solo exhibition in Sydney. She exhibited widely throughout her career. Notable exhibitions include the landmark 'Clay + Fibre&#; exhibition with Mona Hessing at the National Gallery of Victoria, as well as 'Form and Clay&#;,the survey of her sculpture at the S.H. Irvin Gallery, with an accompanying monograph by Christine France.
Gazzard has also completed a number of important commissions. In she installed a commission for the Executive Court of our Parliament in Canberra, a large br
Marea Gazzard AM
Marea Gazzard AM (–), ceramic artist, trained at the East Sydney Technical College and London Central School for Arts and Craft. Emerging as one of England's leading ceramicists in the s, she returned with her husband to Australia in ; together they set about building a modern house in Paddington, while starting the first urban action group in Sydney to help save the area. Unlike other ceramicists at the time, Gazzard used hand-building techniques to create sculptural forms inspired by Cycladic sculpture and pre-Colombian pottery. In , with fibre artist Mona Hessing, Gazzard was one of the first craftspeople invited to exhibit at the National Gallery of Victoria. The exhibition, Clay + Fibre, generated much discussion about whether craft was art and accelerated acceptance of women artists. Through the s and s she exhibited large abstract works in a number of important group shows as well as solo exhibitions. Gazzard was also instrumental in the development of craft in Australia, including helping to set up the Crafts Council of Australia in and chairing the Crafts Board of the Australia Council in President of the World Crafts Council from to , Gazzard was co
Marea Gazzard, (nee, Ploumides)
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Father: Haralambos Ploumidis
Antikythera
Marea Gazzard working on Mingarri
The Greek/Australian Superstar of Craft.
Marea Gazzard, aged 76, has a design background. She began studying ceramics with Rushforth and Douglas at ESTC in the early s. She was influenced by the hand-building techniques of Ruth Duckworth and the form and scale of Grecian and Etruscan pots. She persistently argued for interaction and cross-fertilisation between art forms, rejecting conventional art and craft boundaries. This was a position strongly supported by leading potters of the time as the art/craft debate increasingly marginalised craft from contemporary art practice. Post-modern art development presented itself as the antithesis of craft processes although there was a lot of common ground in the impetus to confront and debate contemporary social issues through art and craft practice. However at this stage the expressive languages of each practice were perceived as oppositional.
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Sunday Morning - Radio National
The Maker: Marea Gazzard
Marea maitains an inner city studio in Sydney.
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