James (Jacques-Joseph) Tissot (October 15, , Nantes - August 8, , Bouillon Abbey, Besancon, France) - French artist and illustrator. The artist became famous for his cycle of illustrations “The Life of Christ and the Old Testament”, as well as paintings depicting the fashionable beauties of Paris and London.
Features of the artist James Tissot: like most students of the Paris School of Fine Arts, Tissot studied by copying academic work in the galleries of the Louvre. The Belgian pioneer of realism, an artist, had a great influence on his technique. Henri LeisGermanPeter von Cornelius from the circle of Nazarene artists, as well as illustrator and engraver Moritz Retsch (Retch). It is worth noting Tissot's friendship with the impressionist artists, from whom he learned to use bright, saturated colors, as well as the influence of the Pre-Raphaelites, which was especially noticeable in his early works. James Tisso perfectly mastered the classic drawing and oil painting technique, in more mature years he mastered the art of engraving, worked a lot in watercolor, paid attention to the cloisonne enamel technique. Towards the end of his life, he began to work mainly in gouache and pas
James Tissot Biography
Born on October 15th, , James Tissot was famous for his portraits. Son of Marcel Tissot, a drapery merchant, and Marie Durand who designed hats for the family business, Tissot moved to Paris at age 19 to study art. Once there he enrolled in the Ecole des Beaux-Arts. Like many students of the time, Tissot was partially trained by the solitary studies he did at the Louvre copying the masterpieces. During this time he met other famous contemporaries such as James Whistler, Eduoard Manet and Edgar Degas. In Tissot had the honor to exhibit at the Salon where he submitted five paintings.
Tissot fought in the Frano-German War from , joining the Paris Commune, a socialist party. After the war, Tissot moved to Paris and settled in St. John’s Wood. It is unclear whether he was fleeing after making radical political associations, or whether it was due to better opportunities. He lived there for around 10 years, moving back to Paris in In , Tissot had a mystical experience and became dedicated to illustrating the life of Christ. He traveled many times to the Holy Land and made around watercolors of New Testament material.
Famous for his portraits, particularly
James Tissot (), Ambiguously modern
A Frenchman in London
The painter was a staunch patriot and enlisted as a volunteer like other artists including Edgar Degas, Édouard Manet, Jules Regnault, and Joseph Cuvelier.
He took part in fighting at Malmaison and recorded in his notebooks the ferocity of the clashes which made a lasting and profound impact on him.
By contrast, it is difficult to establish whether Tissot participated in the Commune as he was not politically committed like Courbet.
Whatever the case may be, Tissot left the capital in haste after Bloody Week, which brought the Commune to an end.
Arriving in London in the summer of , he wasted no time in relaunching his career.
His reputation preceded him as he had shown work there on three occasions at official exhibitions between and , and had been working with London-based art dealer Ernest Gambart since Tissot received a particularly warm welcome from his friend Thomas Gibson Bowles, editor of the magazine Vanity Fair, to whom he had already submitted some ca
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James Tissot’s career spanned three successful periods: his early years in Paris (), his business-like decade in London (), and his later years in France and the Holy Land (), depicting fashionable women of Belle Époque Paris and making research trips for his series of Bible illustrations.
Born Jacques Joseph Tissot, his parents were self-made, prosperous merchants in the textile and fashion industry in the bustling seaport of Nantes. Jacques moved to Paris in to study painting and made his dÈbut at the Salon three years later, as James Tissot. Tissot and his painting, Le Recontre†de Faust et de Marguerite (The Meeting of Faust and Marguerite) attracted the attention of the Comte de Nieuwerkerke, Director-General of Museums, who purchased the painting in on behalf of the government for the Luxembourg Museum for 5, francs. The provincial young painter achieved Establishment acceptance far sooner than his struggling friends, James McNeill Whistler (), Edgar Degas (), and Édouard Manet ().
Tissot’s paintings in the Salon in reflected the trend toward capturing “modernity,” and he began to hit his stride as an artist with The Two Sisters and Portrait
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